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Don Giovanni
|
Composer |
Wolfgang Amadeus Mozart |
|
Librettist |
Lorenzo da Ponte |
|
Venue and Dates |
Gran Teatre del Liceu, Barcelona 22, 25, 27, 30 July 2008 |
|
Conductor |
Friedrich Haider |
|
Production |
Director: Calixto Bieito Sets: Alfons Flores Costumes: Mercé Paloma Lighting: Alan Burrett |
|
Performers |
Don Giovanni: Simon Keenlyside Donna Anna: Angeles Blancas Don Ottavio: Christoph Strehl Donna Elvira: Véronique Gens Commendatore: Günther Groissböck Leporello: Kyle Ketelsen Masetto: David Menéndez Zerlina: Juanita Lascarro |
|
Notes |
Joint production with English National Opera and Staatsoper Hannover |
From the Liceu website:
http://www.liceubarcelona.com/operes/presentacio.asp?i=264&a=437
Calixto Bieito's Don Giovanni lives in a perpetual stupor brought on by drink, sex and drugs, oblivious of any ethical barrier that could prevent him from sacrificing his own safety, and that of others, to this frenzy of the senses. These two themes -the protagonist's amorality and the self-destruction towards which his conduct drives him- are pivotal to Mozart's Don Giovanni. By shifting the action from 18th century Seville to present-day Barcelona and turning the aristocratic Don Giovanni into a man on the fringes of society, Bieito seeks to conjure up images that will cause an impact on his audience by revealing the full stark horror of his lifestyle, without the mitigating or distancing effect of 18th century costumes and gallantries.
Bieito's Don Giovanni is a man whose physical magnetism enables him to enlist the complicity of his gang of cronies; a man who breaks the rules, not in order to conquer his chosen sexual victims, but out of the sheer pleasure of destructive transgression; a man who burns out his life almost without realizing it, whose awareness is numbed by a state of stupor he cannot control, who seeks new sensations in order to escape, not to assert himself..
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All photos by Antoni Bofill
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