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Le Nozze di Figaro

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Composer |
Wolfgang Amadeus Mozart |
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Librettist |
Lorenzo da Ponte after Beaumarchais
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Venue and Dates |
Royal Opera House, Covent Garden, London Opening night, 11 September 1995 There were two casts |
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Conductor |
Bernard Haitink |
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Director |
Johannes Schaaf |
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Performers |
Second cast: Il Conte di Almaviva: Simon Keenlyside La Contessa Almaviva: Cheryl Studer Figaro: Ferrucio Furlanetto Susanna: Barbara Bonney Cherubino: Helen Schneiderman Marcellina: Yvonne Howard Don Bartolo: Michael Druiett Don Basilio: Ryland Davies Don Curzio: John Dobson Barberina: Deborah York Antonio: Jeremy White Contadina:
Choir and Orchestra of the Royal Opera House |
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Notes |
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What the critics say
Alan Blyth, Opera, November 1995 (on the September 26th performance)
“Slow the first night of this revival may have been: this initial performance with the alternate (emphatically not second) cast was from the very start brisk and vital.”
“Making a virtue of his slight figure, Simon Keenlyside gave us a petulant, impetuous Almaviva who possibly hasn’t really come to terms with his own libidinous character. Keenlyside’s singing was at once mellow and incisive, and sensibly he didn’t force his tone in the interests of mere volume.”
Extract from the British Journal by Tom Sutcliffe for Opera News January 6 1996
http://www.metoperafamily.org/operanews/_archive/1696/britjourn.1696.html
The Covent Garden season got off to a dull start with a revival of Johannes Schaaf's distinctly odd Le Nozze di Figaro (Sept. 11). Bernard Haitink's conducting was somnambulistic, Thomas Allen's Count voiceless. The biggest disappointment, however, was Randi Stene's Cherubino, which should have been delightful (she was a terrific Octavian in Paris). But stepping into a dead or dying production was a liability her agents should have spared her. Felicity Lott pulled the performance into shape briefly with a stylish "Dove sono," and Andrea Rost carried off Susanna well. Of special merit in the second cast was Simon Keenlyside's fervent Count.
